Publications
- Jahr
- : Publikationstyp
- : Autor
- : Titel
Albrecht, H. & Wöllner, C
Albrecht, H. & Wöllner, C. “Der Einfluss von Filmmusik auf visuelle Aufmerksamkeit und Emotionen”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 89–90.
Albrecht, H. & Wöllner, C. “Metaphors and embodied meaning in film music: The case of leitmotifs”. Embodied metaphors in film, television, and video games: cognitive approaches. Hg. K. Fahlenbrach. New York: Routledge, 2016, S. 145-161. https://www.routledge.com/Embodied-Metaphors-in-Film-Television-and-Video-Games-Cognitive-Approaches/Fahlenbrach/p/book/9781138850835
Busch, V., Schlemmer, K. & Wöllner, C
Busch, V., Schlemmer, K. & Wöllner, C. “Erhaben, innig oder kriegerisch? Einflussgrößen bei der Wahrnehmung von Tonartencharakteren [Factors influencing the perception of musical key characteristics]”. (2013): S. 226-235.
Busch, V., Schlemmer, K. & Wöllner, C.
Busch, V., Schlemmer, K. & Wöllner, C. (Hg.). Wahrnehmung – Erkenntnis – Vermittlung. Musikwissenschaftliche Brückenschläge (Festschrift für Wolfgang Auhagen zum sechzigsten Geburtstag) [Perception – cognition – conveyance: Musicological bridge building].. Hildesheim: Olms, 2013.
Hammerschmidt, D. & Wöllner, C
Hammerschmidt, D. & Wöllner, C. “Audio-visual quality perception in musical performance videos”. Jahrbuch Musikpsychologie 28. (2017): S. 112-127.
Hammerschmidt, D. & Wöllner, C. “Eye movements in film perception: The impact of emotional music and playback speed”. International Conference of Music Perception and Cognition and European Conference of the Cognitive Sciences of Music, 23–28 July 2018, Karl-Franzens-Universität Graz (2018)
Hammerschmidt, D., & Wöllner, C
Hammerschmidt, D., & Wöllner, C. “The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes”. Journal of Eye Movement Research 11(2):10. (2018) http://dx.doi.org/10.16910/jemr.11.2.10
Hammerschmidt, D., Wöllner, C., Albrecht, H. & Hohagen, J
Hammerschmidt, D., Wöllner, C., Albrecht, H. & Hohagen, J. “Music and slow motion: A study of eye movements in film and video clips”. Conference on Music & Eye-tracking (2017): S. 14–15.
Hohagen, J. & Wöllner, C
Hohagen, J. & Wöllner, C. “Movement sonification of musical gestures: Investigating perceptual processes underlying musical performance movements”. Proceedings of the 13th Sound & Music Computing Conference (SMC). Hg. R. Großmann & G. Hajdu. Hamburg: ZM4, 2016, S. 222-226. https://zenodo.org/record/851235#.W5eLULh9g2w#.W5eLULh9g2w
Hohagen, J. & Wöllner, C. “Evaluation von Bewegungssonifikationen musikalischer Gesten”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 12–13.
Kopiez, R. & Wöllner, C
Kopiez, R. & Wöllner, C. “Interpretation und Reproduktion”. Handbuch Musikpsychologie. Hg. A.C. Lehmann & R. Kopiez. Göttingen: Hogrefe, 2018, S. 311-340.
Nichols, B.E., Wöllner, C., & Halpern, A.R
Nichols, B.E., Wöllner, C., & Halpern, A.R. “Score one for jazz: Working memory in jazz and classical musicians”. Psychomusciology 28(2). (2018): S. 101–107.http://psycnet.apa.org/doiLanding?doi=10.1037%2Fpmu0000211
Sevdalis, V. & Wöllner, C
Sevdalis, V. & Wöllner, C. “Capturing motion for enhancing performance: An embodied cognition perspective on sports and the performing arts”. Performance psychology. Perception, action, cognition, and emotion. Hg. M. Raab, B. Lobinger, S. Hoffmann, A. Pizzera, & S. Laborde. Amsterdam: Academic Press/Elsevier, 2016, S. 223-234. http://store.elsevier.com/Performance-Psychology/isbn-9780128033777/
Wöllner, C
Wöllner, C. “How to quantify individuality in music performance? Studying artistic expression with averaging procedures.”. Frontiers in Cognitive Science 4(361). (2013) https://doi.org/10.3389/fpsyg.2013.00361
Wöllner, C. “Gender recognition depends on type of movement and motor skill. Analysing and perceiving biological motion in musical and nonmusical tasks”. Acta Psychologica 143. (2013): S. 79-87.https://doi.org/10.1016/j.actpsy.2013.02.012
Wöllner, C. “Joint actions in a musical duo improvisation: Bodily and acoustical characteristics”. Movementis: International Conference on Movement, Brain, Body and Cognition, 26–29 July 2018, Harvard Medical School, Boston (2018)
Wöllner, C. “Conducting”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 246-250.
Wöllner, C. “Is empathy related to the perception of emotional expression in music? A multimodal time-series analysis”. Psychology of Aesthetics, Creativity, and the Arts 6(3). (2012): S. 214-233.http://psycnet.apa.org/doi/10.1037/a0027392
Wöllner, C. “Self-recognition of highly skilled actions: A study of orchestral conductors”. Consciousness and Cognition 21. (2012): S. 1311-1321.http://www.sciencedirect.com/science/article/pii/S1053810012001481
Wöllner, C. “Call and Response: Musical and bodily interactions in dyadic jazz improvisation”. Musicae Scientiae Online First. (2018) https://doi.org/10.1177%2F1029864918772004
Wöllner, C. “Structured sounds in bodily and spatial dimensions (Introduction)”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 1-10. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403
Wöllner, C. “Audience responses in the light of perception-action theories of empathy”. Music and empathy. Hg. E. King & C. Waddington. New York: Routledge, 2017, S. 139-156. https://www.routledge.com/Music-and-Empathy/King-Waddington/p/book/9781472445803
Wöllner, C. “Innere Bilder: Handlungsrepräsentation und Wahrnehmungskompetenz in der Orchesterleitung”. DirigentenBilder. Musikalische Gesten – verkörperte Musik. Hg. A. Stollberg, J. Weißenfeld & F.H. Besthorn. Basel: Schwabe, 2015, S. 213-232.
Wöllner, C. “Agency”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 30-32.
Wöllner, C.
Wöllner, C. (Hg.). Body, sound, and space in music and beyond. Multimodal explorations. Abingdon, New York: Routledge, 2017.
Wöllner, C. & Halpern, A
Wöllner, C. & Halpern, A. “Attentional flexibility and memory capacity in conductors and pianists”. Attention, Perception, & Psychophysics 78(1). (2016): S. 198-208.http://link.springer.com/article/10.3758%2Fs13414-015-0989-z
Wöllner, C. & Hohagen, J
Wöllner, C. & Hohagen, J. “Gestural qualities in music and outward bodily responses”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 69-88. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403
Wöllner, C. & Keller, P
Wöllner, C. & Keller, P. “Music with others: Ensembles, conductors, and interpersonal coordination”. The Routledge companion to music cognition. Hg. R. Ashley & R. Timmers. New York: Routledge, 2017, S. 313-324.
Wöllner, C., Deconinck, F.J.A., Parkinson, J., Hove, M.J., & Keller, P.E
Wöllner, C., Deconinck, F.J.A., Parkinson, J., Hove, M.J., & Keller, P.E. “The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors”. Journal of Experimental Psychology: Human Perception and Performance 38(6). (2012): S. 1390-1403.http://psycnet.apa.org/doi/10.1037/a0028130
Wöllner, C., Hammerschmidt, D., & Albrecht, H
Wöllner, C., Hammerschmidt, D., & Albrecht, H. “Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses”. PLoS ONE 13(6). (2018) https://doi.org/10.1371/journal.pone.0199161
Wöllner, Clemens
Wöllner, Clemens. “Anticipated sonic actions and sounds in performance”. The Oxford handbook of sound and imagination. Hg. M. Grimshaw, M. Walther-Hansen, & M. Knakkergaard. 2. New York: Oxford University Press, 2019 http://doi.org/10.1093/oxfordhb/9780190460242.013.44
Wöllner, Clemens & Ziemer, Tim
Wöllner, Clemens & Ziemer, Tim. “Recent Research Projects Carried Out at the Institute of Systematic Musicology (Abstract)”. Proceedings of the 13th Sound & Music Computing Conference (2016): S. V.https://smc2016.hfmt-hamburg.de/wp-content/uploads/2016/09/SMC2016_proceedings.pdf