Publications
2019
Wöllner, Clemens. “Anticipated sonic actions and sounds in performance”. The Oxford handbook of sound and imagination. Hg. M. Grimshaw, M. Walther-Hansen, & M. Knakkergaard. 2. New York: Oxford University Press, 2019 http://doi.org/10.1093/oxfordhb/9780190460242.013.44
2018
Wöllner, C. “Joint actions in a musical duo improvisation: Bodily and acoustical characteristics”. Movementis: International Conference on Movement, Brain, Body and Cognition, 26–29 July 2018, Harvard Medical School, Boston (2018)
Hammerschmidt, D. & Wöllner, C. “Eye movements in film perception: The impact of emotional music and playback speed”. International Conference of Music Perception and Cognition and European Conference of the Cognitive Sciences of Music, 23–28 July 2018, Karl-Franzens-Universität Graz (2018)
Nichols, B.E., Wöllner, C., & Halpern, A.R. “Score one for jazz: Working memory in jazz and classical musicians”. Psychomusciology 28(2). (2018): S. 101–107.http://psycnet.apa.org/doiLanding?doi=10.1037%2Fpmu0000211
Wöllner, C., Hammerschmidt, D., & Albrecht, H. “Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses”. PLoS ONE 13(6). (2018) https://doi.org/10.1371/journal.pone.0199161
Hammerschmidt, D., & Wöllner, C. “The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes”. Journal of Eye Movement Research 11(2):10. (2018) http://dx.doi.org/10.16910/jemr.11.2.10
Wöllner, C. “Call and Response: Musical and bodily interactions in dyadic jazz improvisation”. Musicae Scientiae Online First. (2018) https://doi.org/10.1177%2F1029864918772004
Kopiez, R. & Wöllner, C. “Interpretation und Reproduktion”. Handbuch Musikpsychologie. Hg. A.C. Lehmann & R. Kopiez. Göttingen: Hogrefe, 2018, S. 311-340.
2017
Albrecht, H. & Wöllner, C. “Der Einfluss von Filmmusik auf visuelle Aufmerksamkeit und Emotionen”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 89–90.
Hohagen, J. & Wöllner, C. “Evaluation von Bewegungssonifikationen musikalischer Gesten”. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie zum Thema „Musik und Bewegung“ (2017): S. 12–13.
Hammerschmidt, D., Wöllner, C., Albrecht, H. & Hohagen, J. “Music and slow motion: A study of eye movements in film and video clips”. Conference on Music & Eye-tracking (2017): S. 14–15.
Wöllner, C. (Hg.). Body, sound, and space in music and beyond. Multimodal explorations. Abingdon, New York: Routledge, 2017.
Wöllner, C. & Hohagen, J. “Gestural qualities in music and outward bodily responses”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 69-88. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403
Wöllner, C. “Audience responses in the light of perception-action theories of empathy”. Music and empathy. Hg. E. King & C. Waddington. New York: Routledge, 2017, S. 139-156. https://www.routledge.com/Music-and-Empathy/King-Waddington/p/book/9781472445803
Wöllner, C. & Keller, P. “Music with others: Ensembles, conductors, and interpersonal coordination”. The Routledge companion to music cognition. Hg. R. Ashley & R. Timmers. New York: Routledge, 2017, S. 313-324.
Hammerschmidt, D. & Wöllner, C. “Audio-visual quality perception in musical performance videos”. Jahrbuch Musikpsychologie 28. (2017): S. 112-127.
Wöllner, C. “Structured sounds in bodily and spatial dimensions (Introduction)”. Body, sound, and space in music and beyond. Multimodal explorations. Hg. C. Wöllner. Abingdon, New York: Routledge, 2017, S. 1-10. https://www.routledge.com/Body-Sound-and-Space-in-Music-and-Beyond-Multimodal-Explorations/Wollner/p/book/9781472485403
2016
Wöllner, Clemens & Ziemer, Tim. “Recent Research Projects Carried Out at the Institute of Systematic Musicology (Abstract)”. Proceedings of the 13th Sound & Music Computing Conference (2016): S. V.https://smc2016.hfmt-hamburg.de/wp-content/uploads/2016/09/SMC2016_proceedings.pdf
Wöllner, C. & Halpern, A. “Attentional flexibility and memory capacity in conductors and pianists”. Attention, Perception, & Psychophysics 78(1). (2016): S. 198-208.http://link.springer.com/article/10.3758%2Fs13414-015-0989-z
Hohagen, J. & Wöllner, C. “Movement sonification of musical gestures: Investigating perceptual processes underlying musical performance movements”. Proceedings of the 13th Sound & Music Computing Conference (SMC). Hg. R. Großmann & G. Hajdu. Hamburg: ZM4, 2016, S. 222-226. https://zenodo.org/record/851235#.W5eLULh9g2w#.W5eLULh9g2w
Albrecht, H. & Wöllner, C. “Metaphors and embodied meaning in film music: The case of leitmotifs”. Embodied metaphors in film, television, and video games: cognitive approaches. Hg. K. Fahlenbrach. New York: Routledge, 2016, S. 145-161. https://www.routledge.com/Embodied-Metaphors-in-Film-Television-and-Video-Games-Cognitive-Approaches/Fahlenbrach/p/book/9781138850835
Sevdalis, V. & Wöllner, C. “Capturing motion for enhancing performance: An embodied cognition perspective on sports and the performing arts”. Performance psychology. Perception, action, cognition, and emotion. Hg. M. Raab, B. Lobinger, S. Hoffmann, A. Pizzera, & S. Laborde. Amsterdam: Academic Press/Elsevier, 2016, S. 223-234. http://store.elsevier.com/Performance-Psychology/isbn-9780128033777/
2015
Wöllner, C. “Innere Bilder: Handlungsrepräsentation und Wahrnehmungskompetenz in der Orchesterleitung”. DirigentenBilder. Musikalische Gesten – verkörperte Musik. Hg. A. Stollberg, J. Weißenfeld & F.H. Besthorn. Basel: Schwabe, 2015, S. 213-232.
2014
Wöllner, C. “Agency”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 30-32.
Wöllner, C. “Conducting”. Music in the social and behavioral sciences. Hg. W.F. Thompson. Thousand Oaks: Sage, 2014, S. 246-250.
2013
Busch, V., Schlemmer, K. & Wöllner, C. (Hg.). Wahrnehmung – Erkenntnis – Vermittlung. Musikwissenschaftliche Brückenschläge (Festschrift für Wolfgang Auhagen zum sechzigsten Geburtstag) [Perception – cognition – conveyance: Musicological bridge building].. Hildesheim: Olms, 2013.
Wöllner, C. “How to quantify individuality in music performance? Studying artistic expression with averaging procedures.”. Frontiers in Cognitive Science 4(361). (2013) https://doi.org/10.3389/fpsyg.2013.00361
Wöllner, C. “Gender recognition depends on type of movement and motor skill. Analysing and perceiving biological motion in musical and nonmusical tasks”. Acta Psychologica 143. (2013): S. 79-87.https://doi.org/10.1016/j.actpsy.2013.02.012
2012
Wöllner, C. “Self-recognition of highly skilled actions: A study of orchestral conductors”. Consciousness and Cognition 21. (2012): S. 1311-1321.http://www.sciencedirect.com/science/article/pii/S1053810012001481
Wöllner, C., Deconinck, F.J.A., Parkinson, J., Hove, M.J., & Keller, P.E. “The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors”. Journal of Experimental Psychology: Human Perception and Performance 38(6). (2012): S. 1390-1403.http://psycnet.apa.org/doi/10.1037/a0028130
Wöllner, C. “Is empathy related to the perception of emotional expression in music? A multimodal time-series analysis”. Psychology of Aesthetics, Creativity, and the Arts 6(3). (2012): S. 214-233.http://psycnet.apa.org/doi/10.1037/a0027392